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(J(ˆB 0e Óŕ˙ Ä j% ˜  ?  ˆ†ˆ€ Ę˜  :;˜   :;=˜   Ć˜ ஠஠஠஠!"˜  ˙˙˙˙>ˆđh= (J(ˆB 0e ".0 Ä ŕ‡C ˜  ?  ˆ†ˆ€ Ę˜  :;˜   :;=˜   Ć˜ ஠஠஠஠!"˜  ˙˙˙˙>ˆěhK (€J(ˆB 0e Ë˙ Ä ÚFö˙ ˜  ?  ˆ†ˆ€ Ę˜  :;˜   :;=˜   Ć˜ ஠஠஠஠!"˜  ˙˙˙˙>ˆěhT (J(ˆB 0e nD Ä K` ˜  ?  ˆ†ˆ€ Ę˜  :;˜   :;=˜   Ć˜ ஠஠஠஠!"˜  ˙˙˙˙>ˆěhM (‚J(ˆB 0e ˝•% Ä ŕ‡C ˜  ?  ˆ†ˆ€ Ę˜  :;˜   :;=˜   Ć˜ ஠஠஠஠!"˜  ˙˙˙˙>ˆěhn (J(ˆB ě;ç˙ Ë˙ Кţ˙ ÚFö˙ ˜  ?  ˆ†ˆ€ Ę˜  :;˜   :;=˜   Ć˜ ஠஠஠஠!"˜  ˙˙˙˙>ˆěhw (J(ˆB ě;ç˙ nD Кţ˙ K` ˜  ?  ˆ†ˆ€ Ę˜  :;˜   :;=˜   Ć˜ ஠஠஠஠!"˜  ˙˙˙˙>ˆěhp (J(ˆB ě;ç˙ ˝•% Кţ˙ ŕ‡C ˜  ?  ˆ†ˆ€ Ę˜  :;˜   :;=˜   Ć˜ ஠஠஠஠!"˜  ˙˙˙˙>ˆěh (€J(ˆB 0e Ŏ Ä ŕ‡C ˜  ?  ˆ†ˆ€ Ę˜  :;˜   :;=˜   Ć˜ ஠஠஠஠!"˜  ˙˙˙˙>ˆę (K(ˆB tŽ Óŕ˙ Xí2 j% ˜  ?  ˆ†ˆ€ Ę˜  :;˜   :;=˜   Ć˜ ஠஠஠஠!"˜  ˙˙˙˙>ˆđh> (K(ˆB tŽ ".0 Xí2 ŕ‡C ˜  ?  ˆ†ˆ€ Ę˜  :;˜   :;=˜   Ć˜ ஠஠஠஠!"˜  ˙˙˙˙>ˆěhL (€K(ˆB tŽ Ë˙ Xí2 ÚFö˙ ˜  ?  ˆ†ˆ€ Ę˜  :;˜   :;=˜   Ć˜ ஠஠஠஠!"˜  ˙˙˙˙>ˆěhU (K(ˆB tŽ nD Aš2 ă˜ ˜  ?  ˆ†ˆ€ Ę˜  :;˜   :;=˜   Ć˜ ஠஠஠஠!"˜  ˙˙˙˙>ˆěhO (‚K(ˆB tŽ ˝•% q4 ŕ‡C ˜  ?  ˆ†ˆ€ Ę˜  :;˜   :;=˜   Ć˜ ஠஠஠஠!"˜  ˙˙˙˙>ˆěho (K(ˆB 0e Ë˙ Ä ÚFö˙ ˜  ?  ˆ†ˆ€ Ę˜  :;˜   :;=˜   Ć˜ ஠஠஠஠!"˜  ˙˙˙˙>ˆěhx (K(ˆB 0e nD ý ă˜ ˜  ?  ˆ†ˆ€ Ę˜  :;˜   :;=˜   Ć˜ ஠஠஠஠!"˜  ˙˙˙˙>ˆěhr (K(ˆB 0e ˝•% -ő ŕ‡C ˜  ?  ˆ†ˆ€ Ę˜  :;˜   :;=˜   Ć˜ ஠஠஠஠!"˜  ˙˙˙˙>ˆěh’ (€K(ˆB tŽ Ŏ Xí2 ŕ‡C ˜  ?  ˆ†ˆ€ Ę˜  :;˜   :;=˜   Ć˜ ஠஠஠஠!"˜  ˙˙˙˙>ˆ& (€(ˆ6 ¨Í˙ RcÚ˙ Œqä˙ ę˙ ˜  ?ˆÎˆČˆ  °ˆŞ(Ăˆš”ˆŽŔVWe re on the Web! example.microsoft.com ˆ0ˆ  "ƕ$ŠâˆH€BGloucester MT Extra CondensedˆH€BGloucester MT Extra CondensedˆH€BGloucester MT Extra Condensed9"ƕDŠ*""˙˙˙˙" "˙˙˙˙"˙˙˙˙‚ˆüˆâh' (˜(%öˆ0 w/ űĹÎ˙ ‹ó2 űĹÎ˙ ˜@ˆŽˆˆ ˜ :;<˜  pĆ;<˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠ŕŽ> "˜  ˙˙˙˙ˆâh@ (˜(ˆ0 Bç˙ Ď' Xí2 Ď' ˜@ˆŽˆˆ ˜ :;<˜  Ԕ;<˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠ŕŽ> "˜  ˙˙˙˙ˆâh, (˜(ˆ0 ŤłË˙ `$Ö˙ ŤłË˙ ŕ‡C ˜@ˆŽˆˆ ˜ :;<˜  g ;<˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠ŕŽ> "˜  ˙˙˙˙ˆŕ (˜(%ˆ0 ¨Í˙ `$Ö˙ Œqä˙ T*Ö˙ ˜@ˆŽˆˆ ˜ :;<˜  g ;<˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠ŕŽ> "˜  ˙˙˙˙ˆâh? (˜(ˆ0 ďÜĺ˙ `$Ö˙ ďÜĺ˙ ŕ‡C ˜@ˆŽˆˆ ˜ :;<˜  g ;<˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠ŕŽ> "˜  ˙˙˙˙ˆâha (˜(ˆ0 x­Ë˙ uż˙ ˆR4 uż˙ ˜@ˆŽˆˆ ˜ :;<˜  Ԕ;<˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠ŕŽ> "˜  ˙˙˙˙ˆâh` (‚˜(ˆ0 ě;ç˙ ŠÇů˙ ˆR4 ŠÇů˙ ˜@ˆŽˆˆ ˜ :;<˜  Ԕ;<˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠ŕŽ> "˜  ˙˙˙˙ˆâhb (ƒ˜(ˆ0 ě;ç˙ U: ˆR4 U: ˜@ˆŽˆˆ ˜ :;<˜  Ԕ;<˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠ŕŽ> "˜  ˙˙˙˙ˆâh_ (“˜(ˆ0 ŤłË˙ 6Á˙ ŤłË˙ ŕ‡C ˜@ˆŽˆˆ ˜ :;<˜  g ;<˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠ŕŽ> "˜  ˙˙˙˙ˆâh^ (•˜(ˆ0 ďÜĺ˙ 6Á˙ ďÜĺ˙ ŕ‡C ˜@ˆŽˆˆ ˜ :;<˜  g ;<˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠ŕŽ> "˜  ˙˙˙˙ˆâhƒ (˜(ˆ0 x­Ë˙ uż˙ ˆR4 uż˙ ˜@ˆŽˆˆ ˜ :;<˜  Ԕ;<˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠ŕŽ> "˜  ˙˙˙˙ˆâh‚ (˜(ˆ0 x­Ë˙ ŠÇů˙ Ä ŠÇů˙ ˜@ˆŽˆˆ ˜ :;<˜  Ԕ;<˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠ŕŽ> "˜  ˙˙˙˙ˆâh„ (˜(ˆ0 x­Ë˙ U: Ä U: ˜@ˆŽˆˆ ˜ :;<˜  Ԕ;<˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠ŕŽ> "˜  ˙˙˙˙ˆâh€ (˜(ˆ0 D) 6Á˙ D) ŕ‡C ˜@ˆŽˆˆ ˜ :;<˜  g ;<˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠ŕŽ> "˜  ˙˙˙˙ˆâh (˜(ˆ0 é3 6Á˙ é3 ŕ‡C ˜@ˆŽˆˆ ˜ :;<˜  g ;<˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠ŕŽ> "˜  ˙˙˙˙ˆâh™ (˜(ˆ0 x­Ë˙ uż˙ ˆR4 uż˙ ˜@ˆŽˆˆ ˜ :;<˜  Ԕ;<˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠ŕŽ> "˜  ˙˙˙˙ˆâh˜ (‚˜(ˆ0 ě;ç˙ Ł•ü˙ ˆR4 Ł•ü˙ ˜@ˆŽˆˆ ˜ :;<˜  Ԕ;<˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠ŕŽ> "˜  ˙˙˙˙ˆâh— (“˜(ˆ0 ŤłË˙ 6Á˙ ŤłË˙ ŕ‡C ˜@ˆŽˆˆ ˜ :;<˜  g ;<˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠ŕŽ> "˜  ˙˙˙˙ˆâh– (•˜(ˆ0 ďÜĺ˙ ?WÁ˙ ďÜĺ˙ ŕ‡C ˜@ˆŽˆˆ ˜ :;<˜  g ;<˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠ŕŽ> "˜  ˙˙˙˙ˆô (™($ˆB †m Óŕ˙ Xí2 ć, ˜  ?  ˆˆŠ˜  :;˜  g  :;˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠஠"˜  ˙˙˙˙ˆô (€™(€$ˆB ě;ç˙ Ô_Ű˙ ŃĐ : ń˙ ˜  ?  ˆˆŠ˜  :;˜  g  :;˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠஠"˜  ˙˙˙˙ˆô (‚™(‚$ˆB Ňy Ÿ+ śŘ% ůg= ˜  ?  ˆˆŠ˜  :;˜  g  :;˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠஠"˜  ˙˙˙˙ˆô (™($ˆB ƒü˙ Ë˙ pˇ †á˙ ˜  ?  ˆˆŠ˜  :;˜  g  :;˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠஠"˜  ˙˙˙˙ˆô (™($ˆB ŽPô˙ ˝•% qŻ  W'6 ˜  ?  ˆˆŠ˜  :;˜  g  :;˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠஠"˜  ˙˙˙˙ˆô (€™(€$ˆB đ8ú˙ Ŏ ˝§ :ˇ% ˜  ?  ˆˆŠ˜  :;˜  g  :;˜   ŕŽ ŕŽ ŕŽ ŕŽ˜ ஠஠஠஠"˜  ˙˙˙˙ˆ ($(ˆ (€$(ˆ (‚$(ˆ ($(ˆ ($(ˆ (€$(ˆ (%(ˆöh: ('(ˆB ,ŁÓ˙ ŻÄ˙ Xí2 ĂbÎ˙ ˜  ?  ˆˆŠ Ę˜  :;<˜   :;=˜   Ć˜ ஠஠஠஠ "˜  ˙˙˙˙>ˆčhl ('(ˆB x­Ë˙ ĐĄť˙ rŻ  žž˙ ˜  ?  ˆ‚ˆ| Ę˜  :;˜   :;=˜   Ć˜ ஠஠஠ŕŽ"˜  ˙˙˙˙>ˆň (L(ˆB ¨Í˙ Ń`ű˙ Œqä˙ Žs ˜  ?  ˆŽˆˆ Ę˜  :;˜   :;=˜   Ć˜ ஠஠஠஠ "˜  ˙˙˙˙>ˆň (L(ˆB tŽ gű˙ Xí2 D) ˜  ?  ˆŽˆˆ Ę˜  :;˜   :;=˜   Ć˜ ஠஠஠஠ "˜  ˙˙˙˙>ˆ h$ ($ö(ˆ h& (%ö($öˆ h) (&ö(ˆJh (˙˙˙?(ˆ*ˆ$€ đ˜v z™   ř|Ě3Ć3ˆh ˙˙˙˙ ˙˙˙˙ˆJ "|ž$Š ˆ6€0Franklin Gothic Bookˆ6€0Franklin Gothic Bookˆ6€0Franklin Gothic Bookˆ6€0Franklin Gothic Bookˆ6€0Franklin Gothic Bookˆ,€&Times New Romanˆ,€&Times New Romanˆ€Mangal ˆ€Lathaˆ$€ Angsana New,ˆ6€0Franklin Gothic Book9"|žDŠ*""˙˙˙˙" "˙˙˙˙"˙˙˙˙‚ˆ "–ˆě ˝˙˙˙ Ž˙˙˙ˆĆ $ŠŠˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ,€&Times New Romanˆ,€&Times New Romanˆ€Mangal ˆ€Lathaˆ$€ Angsana New,ˆ,€&Times New Roman8 9"PSDŠ*""˙˙˙˙" "˙˙˙˙"˙˙˙˙‚ˆţ0ú4""Aˆb Ž˙˙˙ ý˙˙˙ˆ@ "|ž$Šˆ6€0Franklin Gothic Bookˆ6€0Franklin Gothic Bookˆ6€0Franklin Gothic Bookˆ6€0Franklin Gothic Bookˆ6€0Franklin Gothic Bookˆ,€&Times New Romanˆ,€&Times New Romanˆ€Mangal ˆ€Lathaˆ$€ Angsana New,ˆ,€&Times New Roman9"|žDŠ*""˙˙˙˙" "˙˙˙˙"˙˙˙˙‚ˆ"Ԕ0úˆě ý˙˙˙ ű˙˙˙ˆĐ "hC "Ÿo$ŠŠˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ,€&Times New Romanˆ,€&Times New Romanˆ€Mangal ˆ€Lathaˆ$€ Angsana New,ˆ,€&Times New Roman9"hCDŠ*""˙˙˙˙" "˙˙˙˙"˙˙˙˙‚ˆ0ţˆl ű˙˙˙ “˙˙˙ˆJ "đ$Š ˆ8€2Franklin Gothic Heavyˆ8€2Franklin Gothic Heavyˆ8€2Franklin Gothic Heavyˆ8€2Franklin Gothic Heavyˆ8€2Franklin Gothic Heavyˆ,€&Times New Romanˆ,€&Times New Romanˆ€Mangal ˆ€Lathaˆ$€ Angsana New,ˆ,€&Times New Roman9"đDŠ*""˙˙˙˙" "˙˙˙˙"˙˙˙˙‚ˆ"PS0úˆV É˙˙˙ ˙˙˙ˆČ "đ$ŠŠˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ,€&Times New Romanˆ,€&Times New Romanˆ€Mangal ˆ€Lathaˆ$€ Angsana New,ˆ,€&Times New Roman9"đDŠ*""˙˙˙˙" "˙˙˙˙"˙˙˙˙‚ˆz"đ"Č "8čý˙ "Č"|ž/‚4Franklin Gothic Medium0úWŠ""" "X"ˆr ů˙˙˙ ˝˙˙˙ˆF $Š ˆ8€2Franklin Gothic Heavyˆ8€2Franklin Gothic Heavyˆ8€2Franklin Gothic Heavyˆ8€2Franklin Gothic Heavyˆ8€2Franklin Gothic Heavyˆ,€&Times New Romanˆ,€&Times New Romanˆ€Mangal ˆ€Lathaˆ$€ Angsana New,ˆ,€&Times New Roman9"PSDŠ*""˙˙˙˙" "˙˙˙˙"˙˙˙˙‚ˆţ"Ԕ0ú4""Aˆ˜ ú˙˙˙ ú˙˙˙ˆx "đ â$Š4ˆ@€:Franklin Gothic Demi Condˆ@€:Franklin Gothic Demi Condˆ@€:Franklin Gothic Demi Condˆ@€:Franklin Gothic Demi Condˆ@€:Franklin Gothic Demi Condˆ,€&Times New Romanˆ,€&Times New Romanˆ€Mangal ˆ€Lathaˆ$€ Angsana New,ˆ,€&Times New Roman9"đDŠ*""˙˙˙˙" "˙˙˙˙"˙˙˙˙‚ˆ ţ0úˆ Ď˙˙˙ Ď˙˙˙ˆ† "ŕŒ$ŠHˆD€>Franklin Gothic Medium CondˆD€>Franklin Gothic Medium CondˆD€>Franklin Gothic Medium CondˆD€>Franklin Gothic Medium CondˆD€>Franklin Gothic Medium Condˆ,€&Times New Romanˆ,€&Times New Romanˆ€Mangal ˆ€Lathaˆ$€ Angsana New,ˆ,€&Times New Roman9"ŕŒDŠ*""˙˙˙˙" "˙˙˙˙"˙˙˙˙‚ˆz"ŕŒ"Č "8čý˙ "Č"|ž/‚4Franklin Gothic Medium0úWŠ""" "X"ˆđ š˙˙˙ š˙˙˙ˆÔ "đů ">â$ŠŠˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ,€&Times New Romanˆ,€&Times New Romanˆ€Mangal ˆ€Lathaˆ$€ Angsana New,ˆ,€&Times New Roman9"đůDŠ*""˙˙˙˙" "˙˙˙˙"˙˙˙˙‚ˆ0ţˆŇ ™˙˙˙ ™˙˙˙ˆŔ "đů â$Š|ˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ,€&Times New Romanˆ,€&Times New Romanˆ€Mangal ˆ€Lathaˆ$€ Angsana New,ˆ€Garamond9"đůDŠ*""˙˙˙˙" "˙˙˙˙"˙˙˙˙‚ˆô •˙˙˙ •˙˙˙ˆĚ "ˆś$ŠŠˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ,€&Times New Romanˆ,€&Times New Romanˆ€Mangal ˆ€Lathaˆ$€ Angsana New,ˆ,€&Times New Roman8 9"ˆśDŠ*""˙˙˙˙" "˙˙˙˙"˙˙˙˙‚ˆţ"PS4""AˆŽ ”˙˙˙ ”˙˙˙ˆr "ŕŒ$Š4ˆ@€:Franklin Gothic Demi Condˆ@€:Franklin Gothic Demi Condˆ@€:Franklin Gothic Demi Condˆ@€:Franklin Gothic Demi Condˆ@€:Franklin Gothic Demi Condˆ,€&Times New Romanˆ,€&Times New Romanˆ€Mangal ˆ€Lathaˆ$€ Angsana New,ˆ,€&Times New Roman9"ŕŒDŠ*""˙˙˙˙" "˙˙˙˙"˙˙˙˙‚ˆţˆč “˙˙˙ ‘˙˙˙ˆĚ "´!$ŠŠˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ,€&Times New Romanˆ,€&Times New Romanˆ€Mangal ˆ€Lathaˆ$€ Angsana New,ˆ,€&Times New Roman8 9"´!DŠ*""˙˙˙˙" "˙˙˙˙"˙˙˙˙‚ˆ0ţˆđ ’˙˙˙ ’˙˙˙ˆÔ "ô‚ " ř$ŠŠˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ,€&Times New Romanˆ,€&Times New Romanˆ€Mangal ˆ€Lathaˆ$€ Angsana New,ˆ,€&Times New Roman7 9"ô‚DŠ*""˙˙˙˙" "˙˙˙˙"˙˙˙˙‚ˆţˆě ‘˙˙˙ ů˙˙˙ˆĐ "|žâ$ŠŠˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ,€&Times New Romanˆ,€&Times New Romanˆ€Mangal ˆ€Lathaˆ$€ Angsana New,ˆ,€&Times New Roman7 9"|žDŠ*""˙˙˙˙" "˙˙˙˙"˙˙˙˙‚ˆ0ţˆč ˙˙˙ É˙˙˙ˆĚ "ŕŒ$ŠŠˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ,€&Times New Romanˆ,€&Times New Romanˆ€Mangal ˆ€Lathaˆ$€ Angsana New,ˆ,€&Times New Roman7 9"ŕŒDŠ*""˙˙˙˙" "˙˙˙˙"˙˙˙˙‚ˆ0ţˆô ˙˙˙ ˙˙˙ˆÔ "o " ř$ŠŠˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ,€&Times New Romanˆ,€&Times New Romanˆ€Mangal ˆ€Lathaˆ$€ Angsana New,ˆ,€&Times New Roman7 9"oDŠ*""˙˙˙˙" "˙˙˙˙"˙˙˙˙‚ˆ ţ0úˆâ Ž˙˙˙ Ž˙˙˙ˆĐ "|žâ$ŠŠˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ,€&Times New Romanˆ,€&Times New Romanˆ€Mangal ˆ€Lathaˆ$€ Angsana New,ˆ,€&Times New Roman7 9"|žDŠ*""˙˙˙˙" "˙˙˙˙"˙˙˙˙‚ˆě ˙˙˙ †˙˙˙ˆĐ "|žâ$ŠŠˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ,€&Times New Romanˆ,€&Times New Romanˆ€Mangal ˆ€Lathaˆ$€ Angsana New,ˆ,€&Times New Roman7 9"|žDŠ*""˙˙˙˙" "˙˙˙˙"˙˙˙˙‚ˆ0ţˆâ Š˙˙˙ Š˙˙˙ˆĐ "ˆśâ$ŠŠˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ,€&Times New Romanˆ,€&Times New Romanˆ€Mangal ˆ€Lathaˆ$€ Angsana New,ˆ,€&Times New Roman7 9"ˆśDŠ*""˙˙˙˙" "˙˙˙˙"˙˙˙˙‚ˆě ‰˙˙˙ ˙˙˙ˆĐ "ˆśâ$ŠŠˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ€Garamondˆ,€&Times New Romanˆ,€&Times New Romanˆ€Mangal ˆ€Lathaˆ$€ Angsana New,ˆ,€&Times New Roman7 9"ˆśDŠ*""˙˙˙˙" "˙˙˙˙"˙˙˙˙‚ˆ0ţˆ¨ †˙˙˙ ‰˙˙˙ˆ† "ŕŒ$ŠHˆD€>Franklin Gothic Medium 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đ  ?"ń˙@@đÜ đđÄđ( đ đđČ đ ă đTŕŽ‚ŕŽƒŕŽ„ŕŽ˙˙˙˙ż ŔÂ˙„ŕŽ…ŕŽ†ŕŽ‡ŕŽĂ"ńHż`˙@@@B€‚ŔÂ@B:đđźB đ Ó đNŕŽ‚ŕŽƒŕŽ„ŕŽżŔ˙˙˙˙Ë˙„ŕŽ…ŕŽ†ŕŽ‡ண"ń<@B€‚ŔÂ@B:đ  đxiđUTđ`iđ( đ đđ2đl đK˜vMóŠ˙Ü3b đ đˆ:đ p*Ď˙ űť˙ Pj6 ‚žĐ˙:đ h$đ đ C đxŕŽ‚ŕŽƒŕŽ„ŕŽ;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{ă"ńTż`˙`ŕż‚€˙@B€‚ŔÂ@B˙đK˜vMŹŔćÜ3b:đ h%đ˜đ` đ”: ë`óŠ˙ë` đ đˆđ”: ë`óŠ˙ë`:đ h&đB đ C đxŕŽ‚ŕŽƒŕŽ„ŕŽ8?żŔËpĆ˙?ż˙?„ŕŽ…ŕŽ†ŕŽ‡ி{Ó"ńN˙  ż‚€˙@B€‚ŔÂ@B˙đßĆćë`óŠ˙ë`:đ h'đB đ C đxŕŽ‚ŕŽƒŕŽ„ŕŽ8?żŔËpĆ˙?ż˙?„ŕŽ…ŕŽ†ŕŽ‡ி{Ó"ńN˙  ż‚€˙@B€‚ŔÂ@B˙đ”: ë`ßĆćë`:đ h(đěđl đK˜‡KVŐľŚR đ đˆ:đ ŤłË˙  <ş˙ Ÿž Ĺ[Á˙:đ h)đ đ C đxŕŽ‚ŕŽƒŕŽ„ŕŽ;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{ă"ńTż`˙`ŕż‚€˙@B€‚ŔÂ@B˙đK˜‡KVŐľŚR:đ h*đR˘ đ S đ~€c‚cƒc„c;?ƒż ŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙đ”: ŔěLVŐľŚR:đ h+: đ  đB đ  C đxŕŽ‚ŕŽƒŕŽ„ŕŽ8?żŔËg ˙?ż˙?„ŕŽ…ŕŽ†ŕŽ‡ி{Ó"ńN˙  ż‚€˙@B€‚ŔÂ@B˙:đ ŤłË˙ `$Ö˙ ŤłË˙ ŕ‡C:đ h,đ^˘ đ  S đ~€c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ 8•ç˙ H›ŕ˙ ôţ˙ šG%:đ h-: đ  đ^˘ đ  S đ~€c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ 0e Óŕ˙ Ä j%:đ h.: đ  đ^˘ đ  S đ~€c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ tŽ †Eź˙ Xí2 ˛7Ŕ˙:đ h0: đ  đ^˘ đ  S đ~€c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ™%ç˙ `$Ö˙ ×2 Óŕ˙:đ h1: đ  đ^˘ đ S đ~€c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ tŽ ˛7Ŕ˙ Xí2 ŻÄ˙:đ h2: đ  đ^˘ đ S đ~€ c‚cƒc„c;?ƒż ŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ěčĐ˙ őÂ˙ 30 FÍ˙:đ h:: đ  đ^˘ đ S đ~€ c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ě;ç˙ l( Xí2 ".0:đ h;: đ  đ^˘ đ S đ~€c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ě;ç˙ ".0 Кţ˙ śB:đ h<: đ  đ^˘ đ S đ~€Fc‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ 0e ".0 Ä ŕ‡C:đ h=: đ  Fđ^˘ đ S đ~€Qc‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ tŽ ".0 m$2 ŕ‡C:đ h>: đ  QđB đ C đxŕŽ‚ŕŽƒŕŽ„ŕŽ8?żŔËg ˙?ż˙?„ŕŽ…ŕŽ†ŕŽ‡ி{Ó"ńN˙  ż‚€˙@B€‚ŔÂ@B˙:đ ŤłË˙ `$Ö˙ ŤłË˙ ŕ‡C:đ h?đB đ C đxŕŽ‚ŕŽƒŕŽ„ŕŽ8?żŔËԔ˙?ż˙?„ŕŽ…ŕŽ†ŕŽ‡ி{Ó"ńN˙  ż‚€˙@B€‚ŔÂ@B˙:đ Bç˙ Ď' Xí2 Ď':đ h@đ^˘ đ S đ~€c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ě;ç˙ Ë˙ Кţ˙ Žíő˙:đ hJ: đ  đ^˘ đ S đ~€c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ 0e Ë˙ Ä ÚFö˙:đ hK: đ  đ^˘ đ S đ~€c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ tŽ Ë˙ Xí2 Ň&ř˙:đ hL: đ  đ^˘ đ S đ~€c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ 0e ˝•% Ä ŕ‡C:đ hM: đ  đ^˘ đ S đ~€c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ě;ç˙ ˝•% Кţ˙ ŕ‡C:đ hN: đ  đ^˘ đ S đ~€c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ tŽ ˝•% q4 ŕ‡C:đ hO: đ  đ^˘ đ S đ~€c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ x­Ë˙ ĐĄť˙ Œqä˙ 0lž˙:đ hP: đ  đ^˘ đ S đ~€c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ě;ç˙ Â*ú˙ Xí2 nD:đ hQ: đ  đ^˘ đ S đ~€c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ě;ç˙ RWŔ˙ Xí2 Ë˙:đ hR: đ  đ^˘ đ S đ~€c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ě;ç˙ ż„ Xí2 ¨^&:đ hS: đ  đ^˘ đ  S đ~€c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ 0e nD Ä K`:đ hT: đ  đ^˘ đ! S đ~€c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ tŽ nD Aš2 ă˜:đ hU: đ  đ^˘ đ" S đ~€c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ě;ç˙ nD Кţ˙ óJ:đ hV: đ  đ^˘ đ# S đ~€!c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ Ňy ĐĄť˙ ˆR4 "ňž˙:đ h]: đ  !đB đ$ C đxŕŽ‚ŕŽƒŕŽ„ŕŽ8?żŔËg ˙?ż˙?„ŕŽ…ŕŽ†ŕŽ‡ி{Ó"ńN˙  ż‚€˙@B€‚ŔÂ@B˙:đ ďÜĺ˙ 6Á˙ ďÜĺ˙ ŕ‡C:đ h^đB đ% C đxŕŽ‚ŕŽƒŕŽ„ŕŽ8?żŔËg ˙?ż˙?„ŕŽ…ŕŽ†ŕŽ‡ி{Ó"ńN˙  ż‚€˙@B€‚ŔÂ@B˙:đ ŤłË˙ 6Á˙ ŤłË˙ ŕ‡C:đ h_đB đ& C đxŕŽ‚ŕŽƒŕŽ„ŕŽ8?żŔËԔ˙?ż˙?„ŕŽ…ŕŽ†ŕŽ‡ி{Ó"ńN˙  ż‚€˙@B€‚ŔÂ@B˙:đ ě;ç˙ ŠÇů˙ ˆR4 ŠÇů˙:đ h`đB đ' C đxŕŽ‚ŕŽƒŕŽ„ŕŽ8?żŔËԔ˙?ż˙?„ŕŽ…ŕŽ†ŕŽ‡ி{Ó"ńN˙  ż‚€˙@B€‚ŔÂ@B˙:đ x­Ë˙ uż˙ ˆR4 uż˙:đ hađB đ( C đxŕŽ‚ŕŽƒŕŽ„ŕŽ8?żŔËԔ˙?ż˙?„ŕŽ…ŕŽ†ŕŽ‡ி{Ó"ńN˙  ż‚€˙@B€‚ŔÂ@B˙:đ ě;ç˙ U: ˆR4 U::đ hbđ^˘ đ) S đ~€#c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ x­Ë˙ ĐĄť˙ rŻ  žž˙:đ hl: đ  #đ^˘ đ* S đ~€$c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ¨Í˙ Ë˙ Œqä˙ Žíő˙:đ hm: đ  $đ^˘ đ+ S đ~€$c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ě;ç˙ Ë˙ Кţ˙ ÚFö˙:đ hn: đ  $đ^˘ đ, S đ~€$c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ 0e Ë˙ Ä ÚFö˙:đ ho: đ  $đ^˘ đ- S đ~€(c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ě;ç˙ ˝•% Кţ˙ ŕ‡C:đ hp: đ  (đ^˘ đ. S đ~€(c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ¨Í˙ ˝•% Œqä˙ ŕ‡C:đ hq: đ  (đ^˘ đ/ S đ~€(c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ 0e ˝•% -ő ŕ‡C:đ hr: đ  (đ^˘ đ0 S đ~€*c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ tŽ ĐĄť˙ ˆR4 0lž˙:đ hs: đ  *đ^˘ đ1 S đ~€+c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ¨Í˙ Â*ú˙ Ä nD:đ ht: đ  +đ^˘ đ2 S đ~€,c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ¨Í˙ RWŔ˙ Ä Ë˙:đ hu: đ  ,đ^˘ đ3 S đ~€-c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ¨Í˙ ż„ Ä ˝•%:đ hv: đ  -đ^˘ đ4 S đ~€0c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ě;ç˙ nD Кţ˙ K`:đ hw: đ  0đ^˘ đ5 S đ~€0c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ 0e nD ý _W:đ hx: đ  0đ^˘ đ6 S đ~€0c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ¨Í˙ nD Œqä˙ óJ:đ hy: đ  0đB đ7 C đxŕŽ‚ŕŽƒŕŽ„ŕŽ8?żŔËg ˙?ż˙?„ŕŽ…ŕŽ†ŕŽ‡ி{Ó"ńN˙  ż‚€˙@B€‚ŔÂ@B˙:đ D) 6Á˙ D) ŕ‡C:đ h€đB đ8 C đxŕŽ‚ŕŽƒŕŽ„ŕŽ8?żŔËg ˙?ż˙?„ŕŽ…ŕŽ†ŕŽ‡ி{Ó"ńN˙  ż‚€˙@B€‚ŔÂ@B˙:đ é3 6Á˙ é3 ŕ‡C:đ hđB đ9 C đxŕŽ‚ŕŽƒŕŽ„ŕŽ8?żŔËԔ˙?ż˙?„ŕŽ…ŕŽ†ŕŽ‡ி{Ó"ńN˙  ż‚€˙@B€‚ŔÂ@B˙:đ x­Ë˙ ŠÇů˙ Ä ŠÇů˙:đ h‚đB đ: C đxŕŽ‚ŕŽƒŕŽ„ŕŽ8?żŔËԔ˙?ż˙?„ŕŽ…ŕŽ†ŕŽ‡ி{Ó"ńN˙  ż‚€˙@B€‚ŔÂ@B˙:đ x­Ë˙ uż˙ ˆR4 uż˙:đ hƒđB đ; C đxŕŽ‚ŕŽƒŕŽ„ŕŽ8?żŔËԔ˙?ż˙?„ŕŽ…ŕŽ†ŕŽ‡ி{Ó"ńN˙  ż‚€˙@B€‚ŔÂ@B˙:đ x­Ë˙ U: Ä U::đ h„đ^˘ đ< S đ~€4c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ¨Í˙ NjĆ˙ Œqä˙ *ČŃ˙:đ hŽ: đ  4đ^˘ đ= S đ~€5c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ¨Í˙ ?WÁ˙ Œqä˙ NjĆ˙:đ h: đ  5đ^˘ đ> S đ~€7c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ 0e Ŏ Ä ŕ‡C:đ h: đ  7đ^˘ đ? S đ~€7c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ě;ç˙ Ŏ Кţ˙ ŕ‡C:đ h‘: đ  7đ^˘ đ@ S đ~€7c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ tŽ Ŏ Xí2 ŕ‡C:đ h’: đ  7đ^˘ đA S đ~€9c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ě;ç˙ ŔÖü˙ Xí2 Ŏ:đ h“: đ  9đ^˘ đB S đ~€:c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ¨Í˙ *ČŃ˙ Œqä˙ éůŘ˙:đ h”: đ  :đ^˘ đC S đ~€;c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ ¨Í˙ {kë˙ Œqä˙ ',đ˙:đ h•: đ  ;đB đD C đxŕŽ‚ŕŽƒŕŽ„ŕŽ8?żŔËg ˙?ż˙?„ŕŽ…ŕŽ†ŕŽ‡ி{Ó"ńN˙  ż‚€˙@B€‚ŔÂ@B˙:đ ďÜĺ˙ ?WÁ˙ ďÜĺ˙ ŕ‡C:đ h–đB đE C đxŕŽ‚ŕŽƒŕŽ„ŕŽ8?żŔËg ˙?ż˙?„ŕŽ…ŕŽ†ŕŽ‡ி{Ó"ńN˙  ż‚€˙@B€‚ŔÂ@B˙:đ ŤłË˙ 6Á˙ ŤłË˙ ŕ‡C:đ h—đB đF C đxŕŽ‚ŕŽƒŕŽ„ŕŽ8?żŔËԔ˙?ż˙?„ŕŽ…ŕŽ†ŕŽ‡ி{Ó"ńN˙  ż‚€˙@B€‚ŔÂ@B˙:đ ě;ç˙ Ł•ü˙ ˆR4 Ł•ü˙:đ h˜đB đG C đxŕŽ‚ŕŽƒŕŽ„ŕŽ8?żŔËԔ˙?ż˙?„ŕŽ…ŕŽ†ŕŽ‡ி{Ó"ńN˙  ż‚€˙@B€‚ŔÂ@B˙:đ x­Ë˙ uż˙ ˆR4 uż˙:đ h™đ^˘ đH S đ~€>c‚cƒc„c;?ƒżŔË˙??„ŕŽ…ŕŽ†ŕŽ‡ி{C"ńxĆ@@ż`˙`ŕż‚€˙@B€‚żŔÂ˙?@B˙:đ úľć˙ 6Á˙ fg2 ú˙:đ h§: đ  >đ4˘ đI  đ`€AŕŽ‚ŕŽƒŕŽ„ŕŽƒżŔÂ˙„ŕŽ…ŕŽ†ŕŽ‡ŕŽ#"ńlŔ@@˙@@@B€‚żŔÂ˙?@B˙:đ p*Ď˙ ěčĐ˙ ”2 `$Ö˙:đ hą: đ  Ađ4˘ đJ  đ`€DŕŽ‚ŕŽƒŕŽ„ŕŽƒżŔÂ˙„ŕŽ…ŕŽ†ŕŽ‡ŕŽ#"ńlŔ@@˙@@@B€‚żŔÂ˙?@B˙:đ x­Ë˙ XĄŮ˙ @ä˙ ´Sé˙:đ h´: đ  Dđř đK ó đZŕŽ‚ŕŽƒŕŽ„ŕŽƒżŔÂ˙„ŕŽ…ŕŽ†ŕŽ‡ŕŽĂ"ńH˙@@@B€‚ŔÂ@B˙:đ p*Ď˙ ěčĐ˙ ”2 `$Ö˙:đ hŽđř đL ó đZŕŽ‚ŕŽƒŕŽ„ŕŽƒżŔÂ˙„ŕŽ…ŕŽ†ŕŽ‡ŕŽĂ"ńH˙@@@B€‚ŔÂ@B˙:đ úľć˙ `$Ö˙ ”2 H›ŕ˙:đ h¨đř đM ó đZŕŽ‚ŕŽƒŕŽ„ŕŽƒżŔÂ˙„ŕŽ…ŕŽ†ŕŽ‡ŕŽĂ"ńH˙@@@B€‚ŔÂ@B˙:đ 8•ç˙ H›ŕ˙  ˙˙ j%:đ h­đř đN ó đZŕŽ‚ŕŽƒŕŽ„ŕŽƒżŔÂ˙„ŕŽ…ŕŽ†ŕŽ‡ŕŽĂ"ńH˙@@@B€‚ŔÂ@B˙:đ úľć˙ $( ”2 Rö/:đ hšđř đO ó đZŕŽ‚ŕŽƒŕŽ„ŕŽƒżŔÂ˙„ŕŽ…ŕŽ†ŕŽ‡ŕŽĂ"ńH˙@@@B€‚ŔÂ@B˙:đ úľć˙ Rö/ „Aţ˙ ŕ‡C:đ hđř đP ó đZŕŽ‚ŕŽƒŕŽ„ŕŽƒżŔÂ˙„ŕŽ…ŕŽ†ŕŽ‡ŕŽĂ"ńH˙@@@B€‚ŔÂ@B˙:đ >ß Rö/ Čj ŕ‡C:đ hžđř đQ ó đZŕŽ‚ŕŽƒŕŽ„ŕŽƒżŔÂ˙„ŕŽ…ŕŽ†ŕŽ‡ŕŽĂ"ńH˙@@@B€‚ŔÂ@B˙:đ ‚ Rö/ ”2 ŕ‡C:đ hœđ4˘ đR  đ`€KŕŽ‚ŕŽƒŕŽ„ŕŽƒżŔÂ˙„ŕŽ…ŕŽ†ŕŽ‡ŕŽ#"ńlŔ@@˙@@@B€‚żŔÂ˙?@B˙:đ a˙˙ †zá˙ ”2 Ľ :đ h3: đ  Kđ.˘ đS  đ`€NŕŽ‚ŕŽƒŕŽ„ŕŽƒżŔÂ˙„ŕŽ…ŕŽ†ŕŽ‡ŕŽ#"ńlŔ@@˙@@@B€‚żŔÂ˙?@B˙:đ ˘  Ť3 ¨^&:đ h6: đ  Nđň đT ó đZŕŽ‚ŕŽƒŕŽ„ŕŽƒżŔÂ˙„ŕŽ…ŕŽ†ŕŽ‡ŕŽĂ"ńH˙@@@B€‚ŔÂ@B˙:đ d5  ˆR4 ¨^&:đ hz      !"#$%&'()*+,-.ţ˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙CHNKINK °řŽTEXTTEXT,YSTSHSTSH,[STSHSTSH0\ÔSTSHSTSH|ÔFDPPFDPP€FDPPFDPP‚FDPCFDPC„FDPCFDPC†FDPCFDPCˆSYIDSYIDŠœSGP SGP œŠINK INK  ŠBTEPPLC ¤Š BTECPLC Ċ(FONTFONTěŠTOKN PLC ţRTOKNPLC dŽRSTRSPLC ʎ>MCLDMCLDTAzalea City Bonsai Society What a way to start February. Ben Oki will be in Mobile for a workshop at the Garden Center located at the corner of Ziegler and Forest Hill Drive. Turn into Forest Hill drive from Ziegler at the light, turn into the first drive on the right before the railroad tracks and go to the small white house on the right. We will start the workshop at 7P.M. Ben normally bring the coldest weather of the year so we will just have to see what happens. Cold or not the workshop happens. Working with Ben in an honor and an experience to remember. We probably have room for a couple more people to sign up so e-mail or call Joe Kuhn and let him add you name to the list. $20.00 to work $3.00 to attend. After 30 years I can honestly say I never attended a workshop that I didn t learn something new, enjoy the people and at most, enjoy t he food. Join us. Joe Day Volume 27, Issue 2 Master Bonsai Artist Ben Oki Workshop Feb 4th February 2009 Southern Bonsaist Day of bonsai for 2009 St Lukes Church and School loacated at 980 Azalea road. Featuring lectures on Azalea, Juniper, Insect and disease control and a great Juniper workshop, lunch, Show bonsai , and a update on the progress of the Sand Live Oak from the 2008 Day of Bonsai The old BJ Thomas song keeps playing in my head, Rain drops keep falling on my head& .I loved the song but the showers are definitely cramping my style. I do have a large indoor place to work but the running in and out keeps me wet or damp but definitely cold. Lucky for us all the extreme cold predicted for the past few nights moderated before it arrived here and give us all a break. The coldest it got in my yard was probably a 25 degrees at bench height. All my bonsai were on the ground so they had no problem. The end of our dormant time is definitely near. Buds are swelling on most all species. I will definitely not repot as many bonsai as I had planned at the start of Winter. Maples, Elm and Boxwood need to be repotted soon. Hornbeam, Hawthorne, Baldcypress, Crype Myrtle and Beech within the next couple of weeks. Podocarpus, Black Pine, Red Pine or other Pines can be repotted a bit closer to Spring. We always have a period in late Spring when the temps climb, the humidity drops and the wind blows. That is the most dangerous time for our bonsai. Don t depend on anything but you the artist checking your bonsai daily at least or more than once a day. Insects start early and can tolerate a lot of cold weather. After any leaves show up on a bonsai, insects that eat the leaves are ready to go. Check closely. When you repot a bonsai always pot your bonsai deep enough in the pot that the roots are never showing more than 1/3 of the top most part of the root. Always tie your bonsai into the pot and always water after you repot until you see clear water running out the holes in the bottom of the container. Sphagnum moss washed, cut into small pieces, placed all over the soil of a newly repotted bonsai is a very good practice. Joe Day Attendance was good with about 30 people attending. The food was great, Jambalaya and fixings. Guy Guidry was on hand selling bonsai. I, Joe Day had the honor of being the feature artist. I provided three Juniper for a Friday night demo. I worked on about 20 bonsai during Saturday morning and afternoon workshops. Lots of different species and styling opportunities. It s easy to be impressed with the Louisiana and Mississippi bonsai artist that attended the workshop. They are talented and eager to progress. Lowell Tilley headed up the job of putting this together but lots of people helped make it happen. Arriving in Baton Rogue Xuan and I stopped at a Vietnamese restaurant for lunch and found the best Vietnamese food ever, The group took Xuan and I to supper at a wonderful Cajun restaurant, the food at the conference was excellent then on the way home we stopped at a Thai Restaurant that had great food. Well..I will eat light this week and try to work it all off. The severe cold predicted for the area moderated and the sun was bright. Thanks all. It was a great time. Joe Day Page # Less than the best pot Weekend work Review: The Mid-Winter Confrence in Baton Rogue, Louisiana Beautiful pots, pots that are just right for your special bonsai are harder to find than you would ever believe. The only part of the pot that the bonsai uses is the hole in the pot. If the pot has a big enough space for your bonsai it will allow the bonsai to grow in a healthy manner. If you can t find the perfect pot find one that has enough space for the roots and use it. This practical approach saves good bonsai and produces some very interesting pot, tree combinations. Almost every bonsai artist has a big ugly pot that has housed bonsai after bonsai, year after year before they moved on to the  good pots. 90 Percent of bonsai is the art of keeping trees healthy year after year. A pot with room for healthy roots is a must. I keep some Mica pots on hand always. They are home to many developing future bonsai. Impossible to beat for practical bonsai growing. The best pot, no. A good practical pot, yes. Joe Day Volume 27, Issue 2 Southern Bonsaist What industry and business did best during the great depression , leisure activities. Movies, cards, chewing gum, smokes, booze, music and other arts. In a way that is not exactly the 60 s version, you might say people were into mind altering activities. As I read once  It  s not the bad things in life that kill you , it s the constant worry about bad things that kill you Bonsai in neither a expensive art form to do or to keep. Can be but doesn t have to be. This was covered recently in another article. It is not a remote chance that most bonsai artist will find challenges in one form or another during 2009. Whatever the challenge it might require asking for some help from other ACBS member artist. That is exactly why we have a bonsai society. Short of time, short of money, having to leave town for a short or long trip or time, reducing a collection all of these are problems that the member artist of ACBS can help resolve. How long the economy will be stressed is impossible to tell. The first downturn of the economy I remember was 1957 to almost 1960. They seem to come around about every 10 years and they seem to last about 3 years. In bonsai years that s two growing seasons. Going out into your own back yard and spending a wonderful few hour is a cheap mini-vacation. After the current cold spells throw in some slow cooking BBQ that you can watch while you work and that s a great afternoon. You worked on your bonsai and you cooked dinner for the family. We will soon be entering the real  best season for bonsai artist, Spring. Every day in the bonsai area is like unwrapping a great present. With a digital camera you can record it all & ...for no money at all. Joe Day The first National Bonsai Exhibition was held in Rochester, New York in November. From this exhibit will come a book that will show the best bonsai in America. Not actually...as only a very nice group of bonsai were there. It will take a few years of National Exhibits to start showing a good cross section of American bonsai but this was as far as I can tell a very good show of very good bonsai. This show does effectively put a top on bonsai our bonsai world. Once the bonsai in this show are better known from photographs your bonsai and the bonsai in any show will be compared to the winning bonsai in the National Exhibit. Not a bad thing and a completely natural thing. Your bonsai will be either better than or not as good as the tree in the national show. These bonsai were American bonsai, created by American artist . It s difficult to compare your bonsai to Japanese bonsai the structure of the art form is different. Now every bonsai artist can go out and set a goal to  build a better bonsai than the species that won the title of the best in America. You don t have to have a desire to put it into a the National Exhibit, satisfaction that you can and are that good of an artist is probably enough. Joe Day Page # Sun, buds and hard work Moving up in a down economy This changes everything in some way Plants think and they react to every element they are exposed to in their environment. Staying too wet or too dry is easy for people to understand. The fact that the amount of sunlight that a bonsai receives on its dormant buds determines the quantity and quality of Spring growth is something not many books cover. Protection from winter hazards often creates dense shade conditions. Try to limit the time a bonsai spends in dense shade. The more developed a tree becomes the more critical this need for sun light becomes. Evergreen trees always need sunlight. Tropicals always need sunlight. If a bonsai that has lost its leaves for winter has one side in sunlight and the other side in a dense shade the sunlight side will produce more new leaves and stronger leaves. You will get less die back and faster scar healing. It s hard work to give each bonsai exactly what it needs all the time but the results are worth the effort. Joe Day P.O. Box 9591 Mobile, Al 36691 E-Mail..ACBSbonsai@aol.com Web site azaleacitybonsaisociety.com Azalea City Bonsai Society Phone:251-344-5873 Fax: 251-342-6431 Dedicated to the art of bonsai The Best Bonsai Tools Hard Work: Free to get, free to use. The only problem with this tool is when people know you have it they want to use it& .your hard work. Imagination: Some have a small one, some use a big one but they all work. Creativity: Much like imagination, used with the hard work tool it gets results. Information: This tool produces good results with almost every project. Enthusiasm: This tool can be shared with everyone. Talent: This tool is much like the those multi-purpose tools. It combines a lot of tools into one very useful tool. Management: Much like duck tape this tool helps hold it all together. Personality: If it s the type that people respond to and enjoy it s a great tool that is kind of like a combination grease gun and sandpaper. It smoothes things out and glides things along. Useful for combining people tool with projects and they are all free. Joe Day A publication of the Azalea City Bonsai Society Mobile, Alabama Vendors will be on hand with bonsai pots, trees, tools and about everything you will need to enjoy the art of bonsai. ACBS makes every effort to make this a very enjoyable chance to celebrate Spring, other bonsai artist and involvement in a great art form. Ben Oki Workshop 7 P.M. Feb 4th The Garden Center At the corner of Ziegler, Forest Hill $20.00 to work on a tree in the workshop. $3.00 to view the workshop Refreshments will be available The ACBS March newsletter will contain a list of all the 2009 meeting programs, Host and Tokanoma. 2009 will be a strong bonsai teaching year. All programs will focus on the basic methods of bonsai are and development. This should be a great year of meeting. Joe Day We certainly can t predict the weather but rain, shine we will make St Lukes on March 12 a great place to learn and enjoy the art of bonsai with a lot of your regional bonsai artist, hot coffee, sweets, and a great lunch. 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